Revisiting Practice
Istituto Svizzero di Roma vom 21. – 23. Oktober 2015
Am Istituto Svizzero di Roma wird vom 21. – 23. Oktober Fragen nach den Verbindungen und Zusammenhängen zwischen Kunst, Wissenschaft und Experimenten nachgegangen. Die Veranstaltung mit namhaften Referenten und Referentinnen aus der Kunst- und Wissenschaftsforschung ist öffentlich.
Flyer Englisch / Flyer Italienisch
Programm:
Wednesday, 21 October
14.30 WELCOME Michele Luminati (Director of the Swiss Institute in Rome)
14.45 INTRODUCTION Revisiting Practice: Arts, Sciences, and Experimentation Philippe Sormani (Swiss Institute in Rome), Guelfo Carbone (Swiss Institute in Rome) and Priska Gisler (Bern University of Arts)
PART I TRANSDISCIPLINARITY “Art/science” collaborations, challenging conventions?
15.15 Transdisciplinary experimentation and ontological change: an ethnography of art-science Georgina Born (University of Oxford)
16.15 Greetings from ComaClinicoHill. Incubating theory and practice – cross medial research? Bernd Kräftner (University of Applied Arts, Vienna)
18.00 KEYNOTE ADDRESS Contemporary art: pluralized paradigm of boundary transgression Nathalie Heinich (EHESS, Paris)
Thursday, 22 October
PART II HYBRIDITY Practicing experimentation in “art/science” collaborations
10.00 Experimenting with practice. Fusing academia into arts-based education? Priska Gisler (Bern University of Arts)
11.00 Rhetorics of practice: The “method doctrine” and teaching early stage researchers across disciplines Mick Wilson (Valand Academy, University of Gothenburg)
12.30 Between Heterogeneity and Hybridity: Knowing and Living in an Arts-based Research Project Bernhard Böhm (Swiss Federal Institute of Technology, Zurich)
15.00 The ecology of a cracked smile Fernando Dominguez Rubio (University of California, San Diego)
16.00 Artworks in and as practices: the relevance of details Yaël Kreplak (Labex Création, Art et Patrimoine – Centre Pompidou & Musée du Quai Branly, Paris)
17.15 The Art of (Seeing) Seeing: visual experiences as products of “experiments in miniature” Dirk vom Lehn (King’s College, London)
18.45 KEYNOTE ADDRESS Artistic images and the artful production of science: the hybridization of artistic and scientific practices Michael E. Lynch (Department of Science & Technology Studies, Cornell University, Ithaca, NY)
Friday, 23 October
PART III HEURISTICS “Art/science” experimentation and its ambivalent insights
10.00 Re-Enactment as Method: How to Overcome Programmed and Kinetic Art Obsolescence
Davide Fornari, Serena Cangiano, Azalea Seratoni (SUPSI, Canobbio)
11.00 Back to the future: Bogomir Ecker’s „Tropfsteinmaschine“ (1996) as a converter of time and authorship Johanne Mohs (Bern University of Arts)
12.30 KEYNOTE ADDRESS Epistemics and aesthetics of experimentation: towards a hybrid heuristics?
Hans-Jörg Rheinberger (Max Planck Institut für Wissenschaftsgeschichte, Berlin)
15.00 CLOSING REMARKS Priska Gisler (Bern University of Arts), Guelfo Carbone (ISR) and Philippe Sormani (ISR)
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